Human World

Here’s where popular witch icons originated

Witch hat on a bed of autumn leaves.
One of the typical witch icons you’ll see is a pointy witch’s hat. See where our typical witch icons originated below. Image via Pixabay/ iPicture.
  • The tall, black witch hat may come from medieval or religious dress.
  • Broomsticks and cauldrons were everyday tools, later linked to witchcraft.
  • Black cats and other animals were seen as witches’ magical companions.

By Mari Ellis Dunning, Aberystwyth University

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1. Broomsticks

Much like brooms today, in the 1500s the broomstick was a household tool used to sweep hearths and floors. In rural villages, broomsticks were also often used as a form of signage by alewives, who would place them outside their cottages to show that ale was for sale within. Somehow, this innocuous object found its way into stories of witchcraft.

The first image of women flying on broomsticks is believed to be in the manuscript of French poet Martin Le Franc’s Le Champion des Dames (The Defender of Ladies), published in 1485. Women sat astride broomsticks are drawn alongside the text, in the margins of the pages, much as accused witches were often maligned women on the margins of society.

One of the most influential pieces of writing on witchcraft was the Malleus Maleficarum published in 1486 by German clergyman Heinrich Kramer. Kramer’s anti-witchcraft tract alluded to witches flying on anointed broomsticks with the aid of the devil. Given that the work is firmly rooted in misogyny, and depicts witches as a direct threat to the domestic sphere, it’s fitting that such a mundane household item became an object of malice.

Marginalia showing 2 women riding broomsticks.
The image from Martin Le Franc’s Le Champion des Dames is believed to be the first of a witch on a broomstick. Image via The Museum of Witchcraft Ltd.

2. Cauldrons

Another domestic item, the cauldron, has also become synonymous with witchcraft.

Instead of stews and broths, witches are often shown using cauldrons to stir up potions and spells. Again, it’s likely that this is rooted in ideas of women subverting their usual household duties, as well as a connection to healing practices.

In the 16th and 17th century, people relied on lay healers, people who learned their craft through experience and knowledge passed down through the generations. These healers were usually women who had knowledge of herbal remedies and salves that would claim to cure ailments and heal people and sick animals.

As the reformation drew in and the church became more powerful, lay healing practices and unlicensed healing was pushed aside in favor of trained physicians. With this shift, lay healers boiling herbs in their cauldrons were looked on with increasing suspicion.

Painting of 3 women around a cauldron. There's a little monkey and a black bird to the right, looking at the cauldron.
The Three Witches from Macbeth by George Cattermole. Image via rawpixel.

3. Tall, black hats

Depictions of witches vary across Europe, but there’s no doubt that a tall, black hat has become associated with witches, especially in the U.K. and the U.S.

There’s no definitive source for this strange stereotype, but speculation about where it came from is rife, ranging from ideas about Quaker hats to general medieval dress.

Women in early modern (1500 to 1780) Wales typically dressed in long, heavy woolen skirts, aprons, blouses and a large woolen shawl, and a traditional tall, black hat, so there is speculation among some researchers that this served as inspiration for the wide-brimmed hat of the fairy tale witch.

This is fitting given that Wales, along with Cornwall, was seen by Protestant reformers of the early modern period as a land rife with magic and sorcery.

Outside of Europe, talls black hats have also been found on mummies from 200 BC unearthed in Subeshi, China, leading scientists to name them the “The Witches of Subeshi”.

Painting of a woman wearing a black, pointed hat.
Portrait of an Older Woman in a Pointed Hat, artist unknown (c. 17th century). Image via Concept Art Gallery.

4. Long, scraggly hair

Depictions of witches usually involve women with long, scraggly hair, often trailing behind them as they ride their broomsticks.

It’s likely that this conception of witches comes from the dichotomy between “good” Christian women and their “bad” witch counterparts that was established during the reformation.

In the post-medieval period, married women ordinarily covered their hair beneath a cap, and loose hair was generally regarded as an improper attribute of temptresses and the dissolute.

Agnes Griffiths, a Welsh woman accused of witchcraft in 1618, was reportedly seen through the window of her home using something sharp to prick a wax figure, and was described as doing this “with her heare aboute her eares.” The accusation suggests disdain for women who refused to conform to expectations of their gender. In an extension of this, witches were also suspected of hiding wax, which they would use for their sorcery, in their hair, contributing to the stereotype of witches as having greasy locks.

Painting of a woman with long, black hair reading a book.
Black-Haired Woman Reading by Adolf von Becker (1875). Image via Finnish National Gallery/ Wikipedia.

5. Black cats

Women accused of witchcraft between the 14th and 17th centuries were often accused of keeping a familiar: an animal that was actually the devil or a demon in disguise.

Familiar spirits were said to come in any number of guises, from frogs and rats to dogs, small horses and even badgers. In a perverse parody of breastfeeding an infant, witches were believed to feed the familiars from their own bodies, and were often consequently stripped and searched for a “witch’s teat.”

The cleric Robert Holland’s witchcraft treatise, which presents some colorful ideas about witchcraft, recounts a story about a witch who would always have a docile rat feeding in her lap.

It goes on to claim that demons would appear in the form that was easiest to keep as a pet, such as cats, mice and frogs, and tells of an old woman and her daughter who were known to have kept the devil for a long time in various animal guises. Supposedly, the older woman fed the animals with blood from her own breasts.

In one particularly famous case of witchcraft, that of Elizabeth Clarke of Manningtree, Clarke admitted to keeping several familiar spirits, and the most well remembered of these was her cat, Vinegar Tom.

Painting of a woman pouring a liquid into a glass, with a black cat at her feet.
The Love Potion by Evelyn De Morgan (1903). Image via De Morgan Centre/ Wikipedia.

Bottom line: Black hats, cauldrons, broomsticks and black cats are the iconic symbols of witches and have deep historical roots. They emerged from practices and prejudices during medieval times. They blended folklore, religion and cultural anxieties, shaping the lasting imagery we associate with witches today. Far from being mere fantasy, these images reflect the realities of that era.

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Posted 
October 22, 2025
 in 
Human World

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